David is a sans-serif typeface, looking sturdy and stable but keeping a slingerly spirit, that fits with its foundry companions. It does not fear the difficulties and has therefore equipped itself with a proper italic.

In front of the diversity of typographic offer, David stands alone, as the homonymous statue sculpted by Michelangelo in a block of marble rejected by other people because of its flaws. This statue had been placed in front of the palazzo Vecchio to symbolize the determination of the young Florentine republic facing surrounding tyrants.

Supported by an extended family of 6 weights, standing firm, of a generous width, the David typeface stands up to merciless giants and philistines of all kinds.

Three variations growing from a sturdy pure roman to a nearly handwritten design. From the classical reason to the romantic mind.

The name "Coline" is a tribute to the french printer Simon de Collines, one of the first printers to release small and therefore cheap pocket books intended for students.

First member of the family, Coline Première is a sturdy and pure roman for continous text.

Three variations growing from a sturdy pure roman to a nearly handwritten design. From the classical reason to the romantic mind.

The name "Coline" is a tribute to the french printer Simon de Collines, one of the first printers to release small and therefore cheap pocket books intended for students.

Second member of the family, Coline Cursive is influenced by handwriting and makes a lively companion for the other members.

Three variations growing from a sturdy pure roman to a nearly handwritten design. From the classical reason to the romantic mind.

The name "Coline" is a tribute to the french printer Simon de Collines, one of the first printers to release small and therefore cheap pocket books intended for students.

Coline Extrême is the eccentric cousin of the family, its black version with nice curves contrasting with frank cuts works especially well at a display size.

In August 2011, the #195 issue of Étapes french magazine, "Somewhere between graphic design and architecture…", has been the experimental field for the creation and use of the typeface BTP (by the Équipe type, art direction by Guillaume Grall and Étienne Hervy). The design of BTP is freely inspired by the default typeface used in the computer-assisted design software AutoCAD, mainly used by architects for the conception of graphic documents (plans, elevations, etc.).

Once the issue has been published, Jeremy Perrodeau and Guillaume Grall have been working together to enhance the typeface. After several months of construction, BTP, a font with angular curves, gained an autonomous life and is now available in one multifunction weight.

Jaakko is the revival of a vernacular typeface found in a Finnish handwriting manual intended for merchant students and published in 1991. The original script was a commercial one, used mainly in shops, written with a thick felt pen onto a coloured card for showing special offers.

Jaakko allows you to set any fraction you like, via a nicely home-made opentype feature. (By the way, this actually goes for all our fonts.)